#translation

Part 31: What Survives the Crossing

Part 29: The Format That Was Born Translatable: Webtoons, and What It Cost to Solve the Problem

Part 27: One Word, Two Boys: Suki, and the Retranslation That Proved Nothing Is Neutral

Part 24: The Machine at the Border: Everything This Series Found Was Never Meaning

Part 22: Thirty-Nine Years: The Delay That Wasn't a Translation Problem

Part 21: The Man Who Was Tetsuwan Atom: Frederik Schodt and the Author Nobody Names

Part 20: Naruto Is a Fish Cake: The Names They Kept and Ruined Anyway

Part 19: Oni Is Not a Demon: The Bestiary That Arrives as Fantasy

Part 18: The Works That Never Crossed: Doraemon, Sazae-san, and the Negative Space

Part 5: Cosplay Is Translation, and the Target Language Is a Body

Part 17: The Compression Nobody Notices: What Subtitles Delete

Part 16: The Sound of a Poem Nobody Can Translate: Chihayafuru and the Untranslatable Sport

Part 15: The Joke Does Not Cross: Gintama, Manzai, and the Corpse in the Footnote

Part 14: One Word for I: The Pronoun Problem and the Language That Names Itself

Part 13: Akira in the Mirror: The Years When Manga Was Printed Backwards

Part 12: The Girl Whose Name Was Stolen: Spirited Away and the Villain Who Was a Numerologist

Part 11: The Pirates Wrote the Spec: Scanlation, Shueisha, and a Shared Destiny 9

Part 10: The Dub That Won: Cowboy Bebop and the Translation That Went Home

Part 9: The English That Japan Wrote: Neon Genesis Evangelion and the Title That Is Greek

Part 8: The Title That Was a Spoiler: Attack on Titan and the Virtue of Bad English

Part 7: The Two Syllables That Carry a Plot: Honorifics and the Social Calculation

Part 6: The Sound That Is Drawn: Onomatopoeia, and the Word for Silence

Part 5: Serena, Jimmy, and Ash: The Renaming Machine and the Half It Kept

Part 4: The Triple Nine and the Dub That Buried It: Ghost Stories and Honest Vandalism